JACQUELINE LAWTON: What excited you about directing The HUB Theatre’s production of A MAN, HIS WIFE AND HIS HAT? What made you say yes?
SHIRLEY SEROTSKY: I’m not so much a sucker for love stories, at least not traditional ones. What drew me in to this one is that it is a story about other people who don’t really like love stories: Voice, Hetchman, and even Hetchman’s wife. It’s a cynic’s love story. It’s also about how we process memory; how we hold on to our stories; and how we then pass them on to another generation. These are themes that I find compelling and always worth examining. It’s something I personally think about a lot, in my own life. And Lauren created a world that continually asks us to adjust how we perceive it. The rules are established, and then expanded, and then new rules are added. This is my favorite kind of theater.

JL: Can you talk a bit about your directing process? For instance, what is the first day like for you and the cast? Do you engage in certain exercises or rituals throughout the process? If so, what are they?
SS: I was sure we didn’t need to do much table work on this play, but then it turned out I was wrong. Establishing the way this unique and specific world works, at least in our production, has been a key part of this process. The first day (after the first read that is, which is about introducing the whole team to the play) was a chance for us to talk as a cast about how this play resonates with each of us personally, as well as from a character’s perspective. I’ve been happily surprised that this fantastical and other-worldly play also hits home in a really intimate, real way.

JL: What has been the most challenging/exciting part of bringing the A MAN, HIS WIFE AND HIS HAT to the stage?
SS: Achieving the stage magic the play asks for, on a small-theatre-company budget, is a wonderful and awe-inspiring challenge!

JL: A MAN, HIS WIFE AND HIS HAT blends a fantastical world with that of romance, heroism and adventure. What make this story relevant? Why should audiences come see it?
SS: I think it is both a unique love-story about these odd and unusual people and also a universal love-story for all time. The play reminds us to appreciate the people around us and to value the love we have, but also to keep encouraging the people around us to love us better, more honestly, more openly—and to do the same ourselves. And I don’t just mean in terms of romantic love--I mean parents and children; friends and colleagues; collaborators and partners; cats and dogs!

JL: What next for you as a director? Where can we follow your work?
SS: I’ll be directing a play by Ms. Jacqueline Lawton (!!!) herself at Theater J—THE HAMPTON YEARS--which explores the development of great African-American artists, John Biggers and Samella Lewis under the tutelage of Austrian Jewish refugee painter and educator, Viktor Lowenfeld, during their pivotal years at then Hampton Institute (now Hampton University).  The play runs for most of June, and you can find more information here: http://washingtondcjcc.org/center-for-arts/theater-j/on-stage/12-13-season/hampton-years/

Shirley Serotsky is the Director of Literary and Public Programs at Theater J, where she directed the 2011 production of The History of Invulnerability; The Moscows of Nantucket; Mikveh (which received two Helen Hayes Nominations for Best Actress); and The Rise and Fall of Annie Hall (which received a 2009 Helen Hayes Nomination for Best New Play). She works as a freelance director in the DC area and beyond, and is particularly interested in the development of new work. Recent directing credits include: a 21/24 Signature Lab Workshop presentation of The Break (Signature Theatre); Working: The Musical(Keegan Theatre); Blood Wedding (Constellation Theatre); Birds of a Feather (which won the 2012 Charles MacArthur Helen Hayes Award for Outstanding New Play—at The Hub Theatre); Juno and the Paycock (Washington Shakespeare Company); a staged reading of Bengal Tiger at the Baghdad Zoo for the National New Play Network at Arena Stage; This is Not a Timebomb  (The Source Festival); Reals, Five Flights and Two Rooms (Theater Alliance); Crumble (Lay Me Down Justin Timberlake) and We Are Not These Hands (Catalyst Theater); References to Salvador Dali Make Me Hot (Rorschach Theater, for which she received a 2007 Helen Hayes nomination for outstanding direction); Sovereignty (The Humana Festival of New Plays); Cautionary Tales for Adults and the Many Adventures of Trixie Tickles (2007 CapFringe);  LUNCH (2007 New York Musical Theater Festival & 2006 CapFringe), Titus! The Musical. (2009 Capfringe and Source Theatre). Training: BFA, North Carolina School of the Arts. Shirley was a member of the 2002 Designer/Director Workshop with Ming Cho Lee; the 2003 Lincoln Center Director's Lab; and was a 2001/2001William R. Kenan, Jr. Fellows at the Kennedy Center.

The Hub Theatre is an award winning, professional non-profit theatre making its home in Fairfax County, Virginia. The Hub Theatre is a member Theatre Washington.  The Hub has received grants from Target, the Fink Foundation, the Arts Council of Fairfax, The Friends of Lake Anne, Virginia Commission for the Arts, the Arts Council of Fairfax, Integrity Applications, and Booz Allen Hamilton.

Mission
The Hub Theatre endeavors to produce work that highlights our common humanity, providing a theatrical experience that is at once challenging and inclusive. We strive to be the physical center of a dynamic circle of story, art, and community, to create the transcendent exchange unique to live theatre.

JACQUELINE LAWTON: What excited you about programming A MAN, HIS WIFE AND HIS HAT in The HUB Theatre’s season this year?
HELEN PAFUMI: The play can be a hard one to explain, but the clarity of the story on the stage is wonderful.  The first reading of the play showed that the humor and joy in the piece kept it so well balanced even with it's looming darkness.  I find that the play lifts you away with the fun of it.  It is exuberant, and I love sharing that with my community.

JL: What makes playwright Lauren Yee an essential voice in the American Theatre?
HP:  What was evident immediately about Lauren's writing is that she knows how to have a lot of fun.  She also hit all the high notes of what attracts me to plays - great dialogue, unique characters, and a touch of something heartfelt and magical.  I find I read a lot of plays that imagine hopelessness to somehow be more dramatic or magnetic than hope.  To have Lauren write a play that wrestles with some very dark things in a way that is funny and still lends an aching hope at the end is something that should not be lost in our country's theatrical dialogue. 

JL: You’re billing this play as a “love triangle between a man, his wife ... and his hat.” What can audiences learn from Hetchman’s journey through this remarkable “world where anything can happen, only the force of love can hold you to the ground?” 
HP:  Anything.  They can expect absolutely anything.  They may laugh and they may shed a tear.  The play takes you on quite a ride.  

JL: If there is one thing you want audiences to walk away knowing or thinking about after experiencing A MAN, HIS WIFE AND HIS HAT, what would that be?
HP:  I would love if people walked away with a sense of gratitude for those close to them and for the memories that make up the rich relationships we have in life.

Helen Pafumi is the Artistic Director and co-founder of The Hub Theatre.  Her original plays Merry, Happy...What? and co adaptation Wonderful Life (Helen Hayes Award Nomination for Outstanding New Play) have been produced by The Hub and Clara's Little Questions, was first read at the Kennedy Center's Page to Stage Festival.  In addition to her role at The Hub, Helen works as an actor in many DC area theatres, including Theatre J, Folger Theatre, Woolly Mammoth, Forum Theatre, Theatre Alliance, Rorschach Theatre, Keegan Theatre, Didactic Theatre, The Inkwell, the Source Festival, the Beckett Centenary Festival, Vpstart Crow, and Madcap Players. She has appeared in numerous independent films and commercials. Helen also does dialect coaching for George Mason University’s theatre program and privately teaches acting and public speaking.  She is the recipient of the Puffin Foundation Award and the Washington Canadian Partnership Award.  Helen holds a BA in Theatre from Virginia Tech.

The Hub Theatre is an award winning, professional non-profit theatre making its home in Fairfax County, Virginia. The Hub Theatre is a member Theatre Washington.  The Hub has received grants from Target, the Fink Foundation, the Arts Council of Fairfax, The Friends of Lake Anne, Virginia Commission for the Arts, the Arts Council of Fairfax, Integrity Applications, and Booz Allen Hamilton.

Mission
The Hub Theatre endeavors to produce work that highlights our common humanity, providing a theatrical experience that is at once challenging and inclusive. We strive to be the physical center of a dynamic circle of story, art, and community, to create the transcendent exchange unique to live theatre.

A few weeks ago, my dear friend and artistic director of The HUB Theatre, Helen Pafumi and I connected about the role of women in artistic leadership. It was a phone call in the middle of the day. We spoke about aesthetic vision, cultural awareness, and access to opportunities. We spoke about what is and isn't expected of us as women in the theatre. We spoke about intentions, courage and the various ways we could serve our community. It was an unexpected and invigorating conversation that shifted my perspective in an interesting, surprising and irreversible way. 

A Man, His Wife and His Hat
By Lauren Yee
Directed by Shirley Serotsky

In A Man, His Wife, and His Hatwe meet Hetchman, a retired hatmaker—perhaps the finest hatmaker ever—who loves his hat more than anything. Except maybe his wife. He loves her too. When BOTH go missing, Hetchman vows to find them, and will stop at nothing to do so. But, can he muster the strength and energy to leave the comfort of his armchair? A fantastical series of events threatens to derail his endeavor. In Yee’s time-bending, mind zapping world, people float away and hats serenade their wearers in ethereal clarinet melodies. Lost memories are sealed inside jars. And life is accompanied by a talking wall and a hungry golem. In this world where anything can happen, only the force of love can hold you to the ground. Following a successful staged reading in 2012, The Hub Theatre is thrilled to present this fully staged DC Premiere of this klezmer-inspired love triangle between a man, his wife ... and his hat.

PRODUCTION TEAM
Playwright: Lauren Yee
Director: Shirley Serotsky 
Original Music: Eric Shimelonis 
Scenic Design: Leigh-Ann Friedel 
Lighting Design: Kenneth Wills 
Sound Design: Patrick Calhoun
Costume Design: Kelsey Hunt 
Props Design: Suzanne Maloney 
Stage Manager: Rebecca Griffith
Photography: Colin Hovde

CAST
Hetchman: Sasha Olinick 
Hetchman's WIfe: Kerri Rambow 
Meckel: Maboud Ebrahimzadeh 
Voice: Kristen Garaffo 
Gabe: Daniel Corey
Golem: Chris Stinson

Where: The Hub Theatre, in residence at The John Swayze Theatre
New School of Northern Virginia, 9431 Silver King Court, Fairfax, Virginia 22031
Performance Dates: April 5 - 28, 2013
Curtain Times: Fridays: 8:00 pm; Saturdays: 2:00 & 8:00 pm; Sundays: 2:00 pm
Ticket Prices: $15 - $30
Tickets Available: www.thehubtheatre.org OR www.boxofficetickets.com OR 800-494-8497

The Hub Theatre is an award winning, professional non-profit theatre making its home in Fairfax County, Virginia. The Hub Theatre is a member Theatre Washington.  The Hub has received grants from Target, the Fink Foundation, the Arts Council of Fairfax, The Friends of Lake Anne, Virginia Commission for the Arts, the Arts Council of Fairfax, Integrity Applications, and Booz Allen Hamilton.

Mission
The Hub Theatre endeavors to produce work that highlights our common humanity, providing a theatrical experience that is at once challenging and inclusive. We strive to be the physical center of a dynamic circle of story, art, and community, to create the transcendent exchange unique to live theatre.