Plays for Two: an Anthology of 28 Plays for Two Actors
Finals, Touchdowns, and Barrel Kicks (2m)
A college athlete and his tutor contemplate sports, dancing, dating and life after college.
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Plays for Two is a unique anthology of twenty-eight terrific plays for two actors, by a mix of celebrated playwrights and cutting-edge new voices.
It takes two to tango—or to perform a duet, fight a duel, or play ping-pong. The two-character play is dramatic confrontation stripped to its essence. These four full-length and twenty-four short plays feature pairs of every sort—strangers, rivals, parents and children, siblings, co-workers, friends, and lovers—swooning or sparring, meeting cute or parting ways. In a dizzying range of moods and styles, these two-handers offer the kind of meaty, challenging roles actors love, while providing readers and audiences with the pleasures of watching the complex give-and-take dynamics of two keenly matched characters.
Plays by: Billy Aronson, David Auburn, Pete Barry, Naveen Bahar Choudhury, Anthony Clarvoe, Steven Dietz, Halley Feiffer, Simon Fill, Frank Higgins, David Ives, Jacob Juntunen, Ean Miles Kessler, Neil LaBute, Eric Lane, Kitt Lavoie, Jacqueline E. Lawton, Mark Harvey Levine, Elizabeth Meriwether, Michael Mitnick, Daria Polatin, Marco Ramirez, Kelly Rhodes, Jose Rivera, Paul Rudnick, Edwin Sanchez, Nina Shengold, Cori Thomas, Doug Wright
Experiments in a Jazz Aesthetic: Art, Activism, Academia, and the Austin Project
Cinder Blocks (1w) -
A young woman follows her dreams, explored her sexuality and overcomes poverty.
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In Austin, Texas, in 2002, a group of artists, activists, and academics led by performance studies scholar Omi Osun Joni L. Jones formed the Austin Project (tAP), which meets annually in order to provide a space for women of color and their allies to build relationships based on trust, creativity, and commitment to social justice by working together to write and perform work in the jazz aesthetic.
Inspired by this experience, this book is both an anthology of new writing and a sourcebook for those who would like to use creative writing and performance to energize their artistic, scholarly, and activist practices. Theoretical and historical essays by Omi Osun Joni L. Jones describe and define the African American tradition of art-making known as the jazz aesthetic, and explain how her own work in this tradition inspired her to start tAP.
Key artists in the tradition, from Bessie Award–winning choreographer Laurie Carlos and writer/performer Robbie McCauley to playwrights Daniel Alexander Jones and Carl Hancock Rux, worked with the women of tAP as mentors and teachers. This book brings together never-before-published, must-read materials by these nationally known artists and the transformative writing of tAP participants. A handbook for workshop leaders by Lambda Literary Award–winning writer Sharon Bridgforth, tAP's inaugural anchor artist, offers readers the tools for starting similar projects in their own communities. A full-length script of the 2005 tAP performance is an original documentation of the collaborative, breath-based, body work of the jazz aesthetic in theatre, and provides both a script for use by theatre artists and an invaluable documentation of a major transformative movement in contemporary performance.