Jacqueline E. Lawton
  • Home
  • Info
    • Artistic Statement
    • Bio
    • Awards and Fellowships
    • Affiliations
  • Writing
    • Upcoming Events
    • Previous Events
    • Plays
    • Productions
    • Commissions
    • Award Ceremonies
    • Publications
  • Advocacy
    • Appearances
    • Facilitation, Workshops, and Trainings
    • Access, Equity, Diversity, and Inclusion in the American Theatre
    • Gender Equity
    • Theatre and Technology
    • Theatre Action >
      • After Orlando
      • Climate Change
      • Every 28 Hour Plays
    • Testimonials
    • Additional Resources
  • Dramaturgy
    • New Play Development
    • Production Dramaturgy
    • Dramaturgy and Script Consultation
    • Additional Resources
  • Teaching
    • Qualifications
    • Curriculum Development, Theatre Arts Integration and Teaching Artist Training
    • Philosophy
    • Experience
  • Producing
    • ARDEO
    • On Stage with the Migration Series
    • Out of Silence: Abortion Stories from the 1 in 3 Campaign
  • Media
    • Gallery
    • Good Ink
    • Media Coverage
    • Interviews
    • Press Releases
    • Podcast & Video
  • Blog
  • Contact

Intelligence: Actor Interview with Aakhu TuahNera Freeman

4/4/2017

0 Comments

 
Picture
As we count down to the final performance of Intelligence at Arena Stage, I thought it would be nice to get to know our lovely cast a little better. I had a chance to speak with them about their passion for theatre, the relevance of this play, their relationship with their characters, and where we can see them next onstage. First up, we have Aakhu TuahNera Freeman, who plays Elaine Matthews, the CIA Deputy Chief of Counterproliferations. Please enjoy!
Picture
JACQUELINE LAWTON: To begin, why did you decide to get into theater? Was there someone or a particular show that inspired you? 
AAKHU TUAHNERA FREEMAN:
I don't recall actually making a decision to go into theatre.  Nor do I recall any particular inspiration.  I do know that I never wanted to be anything other than an actor.  Never ever.

JL: Set in 2003, INTELLIGENCE is a historical fiction that examines the lies that led to the war in Ira, the impact of the war on the Iraqi people, and what happened when the Bush Administration retaliated against two U.S. citizens when the truth of those lies were revealed. Why do you feel this play is relevant to today’s audiences?
ATF:
The play is relevant today because we're currently being bombarded by lies.  Not only lies, but lies with impunity, lies being referred to as 'alternative facts'.   I think the play reminds us of the damage done to the citizenry when people in government are allowed to lie and act on those lies.

JL: Who are you playing? What, if anything, do you have in common with this character’s passions, values, intentions, or belief system?
ATF: I play Elaine Matthews. The character is passionate about what she does.  I'm passionate about what I do.  However, that's where our similarities end.  Our belief systems, politics, values, etc. are totally opposite.

JL: What do you hope the audience walks away thinking about after experiencing this play?​
ATF: I hope people will leave thinking about what truths they can speak to resist what is currently happening in the U.S. government. 

JL: What’s next for you as an actor? Where can we follow your work?
ATF: My next project is "Proof" (Claire) at Olney Theatre, opening in May, and "Death of a Salesman" (Jenny), opening in October at Ford's Theatre. 

Picture
Photo of Aakhu TuahNera Freeman and Hannah Yelland by C. Stanley Photography.

AAKHU TUAHNERA FREEMAN (Elaine) is happy to return to Arena Stage where she previously appeared as Clara in The Great White Hope, Sue in All My Sons and Della in The Royal Family. Other credits include Rose in Fences and Mrs. Coleman in The Soul Collector (Everyman Theatre); Mrs. Breedlove in The Bluest Eye and Gerthe in Insurrection: Holding History (Theater Alliance); Cat on a Hot Tin Roof and four national tours (the Kennedy Center); Much Ado About Nothing and Richard III (Folger Theatre); Our Lady of 121st Street (Woolly Mammoth); Something You Did (Theater J); and Amen Corner (African Continuum Theatre). Her most recent performance was in Fresh Brewed: Tales from the Coffee Shop in Riyadh, Saudi Arabia.
0 Comments

Your comment will be posted after it is approved.


Leave a Reply.

    My Blog

    Picture
    I'm a playwright, dramaturg, and teaching artist. It is here where you'll find my queries and musings on life, theater and the world. My posts advocate for diversity, inclusion, and equity in the American Theatre and updates on my own work. Please enjoy!
    Tweets by @dulcia25

    Categories

    All
    Advocates For Youth
    ARDEO
    Blackbirds
    Dance Exchange
    Dc Theatre
    Diversity And Inclusion
    Dramatist Guild
    Gender Parity
    Intelligence
    Lions Of Industry
    LoTT
    Love Brothers Serenade
    Mothers Of Invention
    Musings
    Nnpn
    Noms De Guerre
    Nso
    Our Man Beverly Snow
    Plays For Two
    TCG
    Theatre Education
    Theatre For Social Change
    The Hampton Years
    The Inferior Sex
    Triangle Theatre
    Wizard Of Oz
    Women Artistic Directors
    Women Directors
    Women Dramaturgs
    Women Playwrights
    Women Stage Managers
    Women Theatre Critics
    Xx Playlab Festival

    Archives

    June 2020
    April 2020
    December 2019
    September 2019
    May 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    September 2018
    April 2018
    March 2018
    February 2018
    June 2017
    April 2017
    March 2017
    February 2017
    August 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    July 2015
    June 2015
    May 2015
    April 2015
    March 2015
    February 2015
    January 2015
    December 2014
    October 2014
    September 2014
    July 2014
    June 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    July 2013
    June 2013
    May 2013
    April 2013
    March 2013
    February 2013
    January 2013
    December 2012
    November 2012
    October 2012
    September 2012
    August 2012
    July 2012
    May 2012

    Reading List
    2am Theatre
    American Theatre Wing

    Americans for the Arts
    The Atlantic
    Black Girl Dangerous
    Colorlines
    Feminist Crunk Collective
    Feminist Spectator

    The Good Men Project
    Guardian: Theatre
    Guernica
    HowlRound
    Media Diversified
    The Nation
    NEA Art Works
    NPR Arts and Life
    NYTimes: Arts

    Opine Season
    The New Yorker
    The Paris Review

    Salon
    Theater Talks
    Think Progress
    WaPo: Theatre
    Works by Women

    Vox

Powered by Create your own unique website with customizable templates.
  • Home
  • Info
    • Artistic Statement
    • Bio
    • Awards and Fellowships
    • Affiliations
  • Writing
    • Upcoming Events
    • Previous Events
    • Plays
    • Productions
    • Commissions
    • Award Ceremonies
    • Publications
  • Advocacy
    • Appearances
    • Facilitation, Workshops, and Trainings
    • Access, Equity, Diversity, and Inclusion in the American Theatre
    • Gender Equity
    • Theatre and Technology
    • Theatre Action >
      • After Orlando
      • Climate Change
      • Every 28 Hour Plays
    • Testimonials
    • Additional Resources
  • Dramaturgy
    • New Play Development
    • Production Dramaturgy
    • Dramaturgy and Script Consultation
    • Additional Resources
  • Teaching
    • Qualifications
    • Curriculum Development, Theatre Arts Integration and Teaching Artist Training
    • Philosophy
    • Experience
  • Producing
    • ARDEO
    • On Stage with the Migration Series
    • Out of Silence: Abortion Stories from the 1 in 3 Campaign
  • Media
    • Gallery
    • Good Ink
    • Media Coverage
    • Interviews
    • Press Releases
    • Podcast & Video
  • Blog
  • Contact