Jacqueline E. Lawton
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On Diversity and Inclusion: Maile Holck

8/19/2012

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TCG's 2012 Young Leader of Color, Maile Holck, responds to Drew Barker's question on diversity and inclusion.

"How do institutions and artists negotiate between sincere attempts at 'bridge-building' and creating productive 'multicultural' explorations without falling into the potential traps of audience pandering or cliché?"

Accountability: How to Avoid Pandering and Cliches

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What I have to say is probably going to come across very simplistic and maybe even simple minded, but here goes... 

I think back to what Ralph Pena (founding member/current artistic director of Ma-Yi Theater Company) said during the sustainability plenary session in Boston: "We have to get the leaders (of theatre institutions) to acknowledge their own biases." Absolutely. I also believe we have to stop thinking of them as large institutions and start looking at and talking directly to the individuals who run them. By the same token, those individual leaders must stop perceiving themselves as large institutions and begin behaving as individual artists who want to create great theatre...because at the end of the day, isn't that what we all want? 

We can holler til the cows come home, but if the individual leaders of those institutions cannot - or refuse to - self reflect and recognize their own biases, then we might as well be talking to a brick wall. An endeavor such as this must be a two way street. 

If the attempts are truly sincere - and there are equal amounts of give, take, interest, curiosity and real listening, then while we may not always succeed, I would bet that, more often than not, honest, productive and "multicultural" explorations and theatre experiences will be the result.

I think what it boils down to is people (leaders of theatre institutions as well as individual artists...but mostly those leaders) need to hold themselves accountable. People need to also have a genuine interest and curiosity in "multicultural" explorations in order for any of it to be a real bridge building experience. They can't do it just because it's what they think they're supposed to do...you know? That's when the pandering and cliches come in.

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    I'm a playwright, dramaturg, and teaching artist. It is here where you'll find my queries and musings on life, theater and the world. My posts advocate for diversity, inclusion, and equity in the American Theatre and updates on my own work. Please enjoy!
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  • Home
  • Info
    • Artistic Statement
    • Bio
    • Awards and Fellowships
    • Affiliations
  • Writing
    • Upcoming Events
    • Previous Events
    • Plays
    • Productions
    • Commissions
    • Award Ceremonies
    • Publications
  • Advocacy
    • Appearances
    • Facilitation, Workshops, and Trainings
    • Access, Equity, Diversity, and Inclusion in the American Theatre
    • Gender Equity
    • Theatre and Technology
    • Theatre Action >
      • After Orlando
      • Climate Change
      • Every 28 Hour Plays
    • Testimonials
    • Additional Resources
  • Dramaturgy
    • New Play Development
    • Production Dramaturgy
    • Dramaturgy and Script Consultation
    • Additional Resources
  • Teaching
    • Qualifications
    • Curriculum Development, Theatre Arts Integration and Teaching Artist Training
    • Philosophy
    • Experience
  • Producing
    • ARDEO
    • On Stage with the Migration Series
    • Out of Silence: Abortion Stories from the 1 in 3 Campaign
  • Media
    • Gallery
    • Good Ink
    • Media Coverage
    • Interviews
    • Press Releases
    • Podcast & Video
  • Blog
  • Contact