Jacqueline E. Lawton
  • Home
  • Info
    • Artistic Statement
    • Bio
    • Awards and Fellowships
    • Affiliations
  • Writing
    • Upcoming Events
    • Previous Events
    • Plays
    • Productions
    • Commissions
    • Award Ceremonies
    • Publications
  • Advocacy
    • Appearances
    • Facilitation, Workshops, and Trainings
    • Access, Equity, Diversity, and Inclusion in the American Theatre
    • Gender Equity
    • Theatre and Technology
    • Theatre Action >
      • After Orlando
      • Climate Change
      • Every 28 Hour Plays
    • Testimonials
    • Additional Resources
  • Dramaturgy
    • New Play Development
    • Production Dramaturgy
    • Dramaturgy and Script Consultation
    • Additional Resources
  • Teaching
    • Qualifications
    • Curriculum Development, Theatre Arts Integration and Teaching Artist Training
    • Philosophy
    • Experience
  • Producing
    • ARDEO
    • On Stage with the Migration Series
    • Out of Silence: Abortion Stories from the 1 in 3 Campaign
  • Media
    • Gallery
    • Good Ink
    • Media Coverage
    • Interviews
    • Press Releases
    • Podcast & Video
  • Blog
  • Contact

Rep Stage's Reading of Noms de Guerre: Interview with Dawn Ursula

10/24/2014

0 Comments

 
Picture
In preparation for Rep Stage's upcoming reading of NOMS DE GUERRE as part of their commemoration of the passage of the landmark Civil Rights Act of 1964, I connected with our company about their careers in the theatre and the relevant themes of the play. Click here to learn more about the reading and please enjoy this wonderful interview with cast member Dawn Ursula.


Picture

JACQUELINE LAWTON: To begin, why did you decide to get into theater? Was there someone or a particular show that inspired you? 
DAWN URSULA:
It turned out to be the only occupation that made me happy.  I tried other jobs with other artsy hobbies on the side but they didn't satisfy or stick.  I was inspired by the other students (my competitors) when I performed in dramatic oral interpretation for my high school Forensic's team.  I think that's how and when this all began.

JL: NOMS DE GUERRE is a socio-political drama that addresses the U.S. military policy and the damaging impact of PTSD on veterans and their family. Why do you feel this play is relevant to today’s audiences?
DU:
I wonder how often we might interact or pass someone in the military who is struggling with what they've experienced while serving or maybe a loved one or relative of a military personnel who is struggling and never know.  We should know.  We should be aware.  They and their loved ones shouldn't suffer in silence.  To end war, we are going to have to advocate for and empathize with our armed forces as victims too.

JL: NOMS DE GUERRE also addresses women’s rights and recent restrictions places on health care for women. It’s been 50 years since the Women’s Liberation Movement swept the nation, where do you feel we are in terms of gender relations in the U.S.?
DU:
As compared to 50 years ago, better.  As compared to 50 years ago not hardly as far along as we should be. 

JL: Which character are you playing? What, if anything, do you have in common with this character’s passions, values, intentions or belief system?
DU:
I'm playing Mira.  I don't think I want to express what we may or may not have in common, but I will say I love her devotion and passion for everything in her life: her career, her husband, her friends, her constituents, her political party.  She wants to give the best to all things.  Discovering her fight and failures in this heroic endeavor is both inspiring and heartbreaking.

JL: What’s next for you as an actor? Where can we follow your work?  
DU: Early next year, I'll be in "Ruined" by Lynn Nottage, directed by Tazewell Thompson at Everyman Theatre, then "Zombie, the American", by Robert O'Hara directed by Howard Shalwitz at Woolly Mammoth.   www.dawnursula.com


About Rep Stage
Rep Stage, a professional regional theatre in residence at Howard Community College, is celebrating its 22nd season. The company is a member of the League of Washington Theatre, the Greater Baltimore Cultural Alliance and Theatre Communications Group. Rep Stage is recognized by Theatre Washington as professional DC Metro area theatre company and is eligible to be nominated for the Helen Hayes Awards. Performances are made possible by Howard Arts Council, Howard County Government, and the Maryland State Arts Council, an agency funded by the Stage of Maryland and National Endowment of the Arts, as well as through generous individual contributions. Rep Stage is proud to be a partner of Howard County Tourism and promotion. Rep Stage’s Artistic Leadership is helmed by Co-Producing Artistic Directors Suzanne Beal and Joseph Ritsch.

0 Comments

Your comment will be posted after it is approved.


Leave a Reply.

    My Blog

    Picture
    I'm a playwright, dramaturg, and teaching artist. It is here where you'll find my queries and musings on life, theater and the world. My posts advocate for diversity, inclusion, and equity in the American Theatre and updates on my own work. Please enjoy!
    Tweets by @dulcia25

    Categories

    All
    Advocates For Youth
    ARDEO
    Blackbirds
    Dance Exchange
    Dc Theatre
    Diversity And Inclusion
    Dramatist Guild
    Gender Parity
    Intelligence
    Lions Of Industry
    LoTT
    Love Brothers Serenade
    Mothers Of Invention
    Musings
    Nnpn
    Noms De Guerre
    Nso
    Our Man Beverly Snow
    Plays For Two
    TCG
    Theatre Education
    Theatre For Social Change
    The Hampton Years
    The Inferior Sex
    Triangle Theatre
    Wizard Of Oz
    Women Artistic Directors
    Women Directors
    Women Dramaturgs
    Women Playwrights
    Women Stage Managers
    Women Theatre Critics
    Xx Playlab Festival

    Archives

    June 2020
    April 2020
    December 2019
    September 2019
    May 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    September 2018
    April 2018
    March 2018
    February 2018
    June 2017
    April 2017
    March 2017
    February 2017
    August 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    July 2015
    June 2015
    May 2015
    April 2015
    March 2015
    February 2015
    January 2015
    December 2014
    October 2014
    September 2014
    July 2014
    June 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    July 2013
    June 2013
    May 2013
    April 2013
    March 2013
    February 2013
    January 2013
    December 2012
    November 2012
    October 2012
    September 2012
    August 2012
    July 2012
    May 2012

    Reading List
    2am Theatre
    American Theatre Wing

    Americans for the Arts
    The Atlantic
    Black Girl Dangerous
    Colorlines
    Feminist Crunk Collective
    Feminist Spectator

    The Good Men Project
    Guardian: Theatre
    Guernica
    HowlRound
    Media Diversified
    The Nation
    NEA Art Works
    NPR Arts and Life
    NYTimes: Arts

    Opine Season
    The New Yorker
    The Paris Review

    Salon
    Theater Talks
    Think Progress
    WaPo: Theatre
    Works by Women

    Vox

  • Home
  • Info
    • Artistic Statement
    • Bio
    • Awards and Fellowships
    • Affiliations
  • Writing
    • Upcoming Events
    • Previous Events
    • Plays
    • Productions
    • Commissions
    • Award Ceremonies
    • Publications
  • Advocacy
    • Appearances
    • Facilitation, Workshops, and Trainings
    • Access, Equity, Diversity, and Inclusion in the American Theatre
    • Gender Equity
    • Theatre and Technology
    • Theatre Action >
      • After Orlando
      • Climate Change
      • Every 28 Hour Plays
    • Testimonials
    • Additional Resources
  • Dramaturgy
    • New Play Development
    • Production Dramaturgy
    • Dramaturgy and Script Consultation
    • Additional Resources
  • Teaching
    • Qualifications
    • Curriculum Development, Theatre Arts Integration and Teaching Artist Training
    • Philosophy
    • Experience
  • Producing
    • ARDEO
    • On Stage with the Migration Series
    • Out of Silence: Abortion Stories from the 1 in 3 Campaign
  • Media
    • Gallery
    • Good Ink
    • Media Coverage
    • Interviews
    • Press Releases
    • Podcast & Video
  • Blog
  • Contact